What's in a Hardwax, or Honest Jons, review?

Music, R

Honest Jons of London and Hardwax of Berlin are undisputed record store royalty. Both are 30+ years in the game but maintain a fiercely independent and unapologetic representation of music in their city, and beyond. This rep extends to their on-line presence, most infamously through the unique style in which each store’s staff break down the new stuff hitting the shelves.

Here’s something from Honest Jons, on a Salik and DJ Sotofett outing on Wania:

‘A strictly-rockers intermingling of dubstep and d&b, with heavy bass and darkly atmospheric strings. DJ Sotofett falls out of line on the flip, heading off into acidic and 3D soundscapes.’

Let that one soak in. Then, try out Hardwax’s take on Metrist’s Pollen Part I:

‘Crisp IDM & Grime trained, Electro affine, modern UK Techno / Tech House adventures.’

Now, a little dig into the shop’s record reviews at scale.1 A “quantitative toast” to the best to ever do it 🍷

Scrapin’ up the crates ⛏

I’m collating these (and hopefully others, soon come) record store’s listings data2 over at crates, a GitHub repo with data + code as u like. Here’s a preview of Honest Jons’ listings, to give u a flavour.

## # A tibble: 4,560 x 5
##    artist        release          label        review                   category
##    <chr>         <chr>            <chr>        <chr>                    <chr>   
##  1 Ain't No Gra… The Life And Le… Dust To Dig… The flaming Appalachian… Blues   
##  2 AMC TEST ART… <NA>             Ace          Thsi is a test product   Blues   
##  3 Anthology Of… <NA>             Smithsonian… Harry Smith’s monument.  Blues   
##  4 Lavern Baker  La Vern          Rumble       Her 1956 Atlantic debut… Blues   
##  5 Bandera Doo … <NA>             Ace          For Your Precious Love … Blues   
##  6 Pastor T.L. … Like A Ship... … Numero       Gospel soul classic fro… Blues   
##  7 The Big Beat  The Dave Bartho… Ace          Hats off every time to … Blues   
##  8 Big Bill Bro… Do That Guitar … Yazoo        Thoroughly entertaining… Blues   
##  9 Black Cat Tr… <NA>             Mamlish      Roars out of the traps … Blues   
## 10 Bobby Bland   Two Steps From … Duke         The 1960 review of his … Blues   
## # … with 4,550 more rows

Similar listings data are available in crates for Hardwax. Here’s what’s in there to work with (at time of writing).

Characterising store chat 💬

Even if you’re not familiar with Hardwax’s or Honest Jons’ review style, you may have noticed some immediate differences in the examples shared at the start of this post. Off the bat, Hardwax’s reviews tend to be of the “short and sweet” variety.

In actual fact, Hardwax reviews hover around the seven word mark, with the longest hitting 38 words. Honest Jons, on the other hand, dish out 27 words on average, but vary considerably - they penned a whole 416 words about Horace Tapscott With The Pan-Afrikan People’s Arkestra. Here’s a snippet:

The pianist was an organiser, and instead of chasing a successful recording career, he wanted to build a community band that would act as “a cultural safe house for the music.” “I wanted to say, This is your music. This is black music, and I want to present a panorama of the whole thing right here.” “We would preserve the music on our ark, the mothership…”

It is worth pointing out that Hardwax review every record that hits the store, while Honest Jons are a bit more selective (less than half of the listings gleaned for this work had a review).

Beyond review length, analysing the actual review content should help to describe makes reading listings on each site such a unique experience. For starters, examining which words are most common in each store’s writing (after excluding common stop words e.g. “and”).

Yeah, Hardwax talk techno quite a bit. Interestingly, “classic” is the only word that features in the top ten across both shops.

A weighted log odds statistic3 can be helpful to measure how the usage of words differs across groups (in this case, record stores), accounting for sampling variability. In short, which words are most representative of that store when compared to the other?

It’s conclusive - techno is Hardwax and Hardwax is techno.

Going deeper with HJ’s 🔍

Sticking with Honest Jons’ reviews for a bit - the most common and specific words have been explored above, but examining these concepts in tandem can help paint a better picture of what makes an HJ review.

“Music” features heavy in a record store reviews text, shock horror. It should be noted that some of the genre-based words placements in these graphics are skewed by an unequal no. of reviews by genre on the site.

Honest Jons lists records under one or more “category”, which provides a decent proxy for genre. It’s therefore possible to see how many words the shop tends to write about a record, depending on the category it’s listed under.

There’s not much in it, but reviews in the Jazz category tend to be longer than others. Reggae and Dance records are usually quite diddy.

Much like weighted log odds were used previously to understand store-to-store review differences, a similar approach can educate on review word uniqueness across these categories.

Unsurprisingly, the actual category name heads up many of the category-specific words. The results are intuitive elsewhere, too - “Mississippi” high up on the Blues list, “Nashville” on the Folk one.

Interestingly, Reggae has the highest absolute log odds, suggesting that words used in reggae reviews are more “uniquely reggae” than in other listed categories. Beyond the top ten, what does the whole picture look like?4


That’s all for now. As a reminder, the data is freely available to play with here. Holla if you do anything with it 🙏

  1. To keep the post concise and pretty for non-coders, I don’t show the code. You can find the code here.↩︎

  2. At time of writing, both record store’s permit the gathering of their site’s listings data (in accordance with the respective robots.txt).↩︎

  3. The weighted log odds statistics used here is of the variety described in a Monroe, Colaresi, and Quinn (2008) paper, applied using Julia Silge’s really neat tidylo R package. Related, a lot of the text manipulation was made easier by ANOTHER of Julia’s ventures, tidytext.↩︎

  4. Thomas Pedersen’s ggforce was instrumental in this, and other, visualisations expressed in the post.↩︎